I saw three ships – a contemporary re-working by Daniel Charles Damon

I am grateful to Daniel Damon, a well known hymn writer, jazz musician and composer from the USA who has offered a new perspective on this text, so fitting, sadly, for our contemporary world:
I saw three ships come sailing in
on Christmas day, on Christmas day;
I saw three ships come sailing in
on Christmas day in the morning.


And what was in those ships all three
on Christmas day, on Christmas day;
and what was in those ships all three
on Christmas day in the morning?


The hungry and the poor were there
on Christmas day, on Christmas day;
the hungry and the poor were there
on Christmas day in the morning.


Those yearning to be free were there
on Christmas day, on Christmas day;
those yearning to live free were there
on Christmas day in the morning.


If we will serve and welcome them
on Christmas day, on Christmas day;
if we will serve and welcome them
on Christmas day in the morning;


Then all the bells on earth shall ring
on Christmas day, on Christmas day;
then all the bells on earth shall ring
on Christmas day in the morning.

Words and Music: English traditional; Music arr. and vss. 3-6 Daniel Charles Damon © 2022 Hope Publishing Company, Carol Stream, IL 60188. All rights reserved. Used with permission. Please report any use of this through your copyright licence, or approach the copyright holder for permission.

Tune: I SAW THREE SHIPS
Metre: Irregular
Topical Index: Christmas, Hospitality, Refugee, Migration, Social Justice
Scripture: Luke 2:1-20, Leviticus 19:33-34; Matthew 2:1-12; 13-23; Hebrews 13:2

Daniel says: I have loved and played this English carol for years but struggled with the ancient text. I wrote some new stanzas that may give this carol new liturgical use. Carl Daw helped me finish this text.

Dan Damon’s recordings can be found here

His printed music is here

Three ships, watercolour copyright Andrew Pratt

Poets struggle, sculptors risk…

One gospel (Mark) doesn’t mention the birth of Jesus. The other three relate it in different ways. This has led me to reflect on the way in which different arts attempt to give expression to the nature of God. 

Poets struggle with the language, 
words both mystic and absurd 
fail to frame the incarnation, 
giving flesh to living Word.

Art constrained by expectation 
will not let the colours go, 
only spreading, mixing media 
emulate the Spirit’s flow.

Sculptors sometimes risk the fracture, 
letting stone dictate the form, 
giving rise to new creation 
chance God shattering our norm.

Even music caged in bar lines 
lacks the freedom to expand,
till in jazz, through improvising, 
rhythms stretch to new demands.

Nothing ever fixed or final, 
way beyond the human mind:
mystery and imagination…
all that we will ever find…
© Andrew Pratt Written 17/12/2022

             Incarnation – Watercolour © Andrew E. Pratt

A hymn reflecting on Christmas now…Where is Jesus…

A hymn reflecting on Christmas now…

Where is Jesus, where is Mary,
where is Joseph in this crowd,
here where commerce feeds subversion,
elevates the rich and proud.
Mother, father and a baby,
shoved by bureaucratic creeds,
soon to cross a nation’s borders,
crowds will denigrate their needs.
           
Lasers beaming, neon flashing,
shop fronts pleading, ‘buy me now!’
Wealth and poverty colliding,
life, as then; not different now.
Prejudice just feels expedient,
strangers just a common threat,
is a pang of conscience stinging?
Is God near in our regret?
           
Here amid the city’s rumble,
God incarnate can be found,
yet our sentiment, this tinsel,
numbs our feeling, muffles sound.
May the Christ be found in Christmas,
here in every act of grace,
here in foreign and familiar,
seen in every human face.
Andrew E. Pratt (born 1948)

Words © 2015 Stainer & Bell Ltd, London, England copyright@stainer.co.uk . Please include any reproduction for local church use on your CCL Licence returns. All wider and any commercial use requires prior application to Stainer & Bell Ltd

Metre: 8 7 8 7 DTune: ST WINIFRED (Cradled in a manger meanly)

Advent 4 – A hymn – ‘Like many children’

Advent 4 A hymn - Like many children - God with no throne 
(inspired by Matthew 1: 18-25)...away in a manger?

Like many children, 
mother unmarried, 
born into hardship, 
yet not alone
Jesus, was valued, 
Mary and Joseph, 
nursing the Godhead, 
God with no throne.

Others would name him 
king of a kingdom, 
yet God incarnate 
lay in the straw, 
God in a manger? 
Fodder for cattle?
Parents uncertain, 
no sign of awe?

Soon they would struggle, 
hounded to exile, 
night brought no comfort, 
only one star; 
moment of wonder, 
quietly, no thunder, 
angels would whisper, 
heard from afar.

Andrew Pratt 11/12/2022
Words © 2022 Stainer & Bell Ltd, London, England copyright@stainer.co.uk . Please include any reproduction for local church use on your CCL Licence returns. All wider and any commercial use requires prior application to Stainer & Bell Ltd.
Metre: 5.5.5.4D
Tune: BUNESSAN (Morning has broken)




Advent 3 Magnificat has come to stay – inspired by the Magnificat

A topsy, turvy, upturned world, 
where values are distorted, 
the first is last and last is first 
with everything contorted.
The rich are begging at the door 
while ones they were despising
are given charge of Godly wealth, 
in stature they are rising.

Magnificat has come to stay,
the proud have been extinguished; 
the humble poor are lifted high, 
their poverty relinquished. 
The reign of God has come to pass 
rebutting our world's choices, 
each one that we would count as last 
within this time rejoices.

And will we ever find a place 
with pride and wealth rejected, 
or will hypocrisy deny 
our need to be accepted? 
The choice is ours, the crisis dawns, 
the time to make decisions, 
to stand with God or walk alone 
within this world's divisions.

Andrew Pratt Words © 2011 Stainer & Bell Ltd, London, England copyright@stainer.co.uk . Please include any reproduction for local church use on your CCL Licence returns. All wider and any commercial use requires prior application to Stainer & Bell Ltd
Metre: 8.7.6.7 D
Tune: CONSTANCE