What would God make of this building? - a hymn about welcoming
1 What would God make of this building,
house of eloquence and praise,
God who walked the earth before us,
Christ of Galilean days?
2 He who left a home and family,
had nowhere to rest his head,
cast his lot with those derided
framed his life with what he said.
3 He who built a human temple
with the ones he sought to lead,
fended off each great temptation:
born of human power and greed.
4 Would he choose a place, more simple,
less ornate, of greater use,
where the hungry and the homeless
could be healed of their abuse?
5 If we follow in his footsteps
then this place must come to be
open to the poor, the homeless
where the richest grace is free;
6 Where our hope will glaze for glory
windows looking on the world,
where the broken will be welcome,
where love's given, never sold.
Andrew E Pratt (born 1948)
Words © 2001 Stainer & Bell Ltd, London, England copyright@stainer.co.uk . Please include any reproduction for local church use on your CCL Licence returns. All wider and any commercial use requires prior application to Stainer & Bell Ltd.
Metre: 8 7 8 7 Trochaic
Tunes: GOTT DES HIMMEL; RATHBUN
Matthew 10: 40-42 speaks of how we should welcome people. This hymn questions whether the church mirrors this example, and for ‘church’ you can think of a congregation, a parish, a circuit – buildings or people - or even a denomination…
Tag: poor
Magnificat challenges the status quo in a topsy–turvy, upturned world
Magnificat challenges the status quo in a topsy–turvy, upturned world
A topsy–turvy, upturned world,
where values are distorted,
the first is last and last is first
with everything contorted.
The rich are begging at the door
while ones they were despising
are given charge of Godly wealth,
in stature they are rising.
Magnificat has come to stay,
the proud have been extinguished;
the humble poor are lifted high,
their poverty relinquished.
The reign of God has come to pass
rebutting our world’s choices,
each one that we would count as last
within this time rejoices.
And will we ever find a place
with pride and wealth rejected,
or will hypocrisy deny
our need to be accepted?
The choice is ours, the crisis dawns,
the time to make decisions,
to stand with God or walk alone
within this world’s divisions.
Andrew E Pratt (born 1948)
Words © 2015 Stainer & Bell Ltd, London, England copyright@stainer.co.uk . Please include any reproduction for local church use on your CCL Licence returns. All wider and any commercial use requires prior application to Stainer & Bell Ltd
Metre: 8 7 8 7 D Tune: CONSTANCE (Sullivan)
I saw three ships – a contemporary re-working by Daniel Charles Damon
I am grateful to Daniel Damon, a well known hymn writer, jazz musician and composer from the USA who has offered a new perspective on this text, so fitting, sadly, for our contemporary world:
I saw three ships come sailing in on Christmas day, on Christmas day; I saw three ships come sailing in on Christmas day in the morning. And what was in those ships all three on Christmas day, on Christmas day; and what was in those ships all three on Christmas day in the morning? The hungry and the poor were there on Christmas day, on Christmas day; the hungry and the poor were there on Christmas day in the morning. Those yearning to be free were there on Christmas day, on Christmas day; those yearning to live free were there on Christmas day in the morning. If we will serve and welcome them on Christmas day, on Christmas day; if we will serve and welcome them on Christmas day in the morning; Then all the bells on earth shall ring on Christmas day, on Christmas day; then all the bells on earth shall ring on Christmas day in the morning. Words and Music: English traditional; Music arr. and vss. 3-6 Daniel Charles Damon © 2022 Hope Publishing Company, Carol Stream, IL 60188. All rights reserved. Used with permission. Please report any use of this through your copyright licence, or approach the copyright holder for permission. Tune: I SAW THREE SHIPS Metre: Irregular Topical Index: Christmas, Hospitality, Refugee, Migration, Social Justice Scripture: Luke 2:1-20, Leviticus 19:33-34; Matthew 2:1-12; 13-23; Hebrews 13:2 Daniel says: I have loved and played this English carol for years but struggled with the ancient text. I wrote some new stanzas that may give this carol new liturgical use. Carl Daw helped me finish this text.

Dan Damon’s recordings can be found here
His printed music is here

Three ships, watercolour copyright Andrew Pratt
Advent 3 Magnificat has come to stay – inspired by the Magnificat
A topsy, turvy, upturned world, where values are distorted, the first is last and last is first with everything contorted. The rich are begging at the door while ones they were despising are given charge of Godly wealth, in stature they are rising. Magnificat has come to stay, the proud have been extinguished; the humble poor are lifted high, their poverty relinquished. The reign of God has come to pass rebutting our world's choices, each one that we would count as last within this time rejoices. And will we ever find a place with pride and wealth rejected, or will hypocrisy deny our need to be accepted? The choice is ours, the crisis dawns, the time to make decisions, to stand with God or walk alone within this world's divisions. Andrew Pratt Words © 2011 Stainer & Bell Ltd, London, England copyright@stainer.co.uk . Please include any reproduction for local church use on your CCL Licence returns. All wider and any commercial use requires prior application to Stainer & Bell Ltd Metre: 8.7.6.7 D Tune: CONSTANCE
Rich and poor – So sad that this poem is still pertinent after 174 years?
"How little can the rich man know Of what the poor man feels, When Want, like some dark dæmon foe, Nearer and nearer steals! He never tramp'd the weary round, A stroke of work to gain, And sicken'd at the dreaded sound Telling him 'twas in vain. Foot-sore, heart-sore, he never came Back through the winter's wind, To a dark cellar, there no flame, No light, no food, to find. He never saw his darlings lie Shivering, the flags their bed; He never heard that maddening cry, 'Daddy, a bit of bread!'" William Gaskell (in Elizabeth Gaskell’s Mary Barton, 1848)