Lament: When anger is our highest creed

Lament: When anger is our highest creed

Our news invariably seems to have images of war. For those who grieve, on whatever ‘side’, Psalm 137 may give them, or us, voice. It is often missing from our worship. Some may remember ‘By the rivers of Babylon’ by Boney M. Halfway through the song they change to Psalm 19: ‘May he words of my mouth and the meditation of my heart be pleasing in your sight…’. Perhaps Psalm 137 is seen as too violent, not Christian. But when we have suffered at the hands of others, when we grieve, lament is legitimate. Then it is understandable to use Psalm 137 in its entirety. And so I want to sing in solidarity with people in places of war and degradation…these words were inspired by the spirit of that Psalm.

1 When anger is our highest creed,
revenge the motivating force;
God, understand our depth of hurt,
our need for action, not just thought.

2 Ejected from what makes us safe,
familiar ground and well-known names,
we sicken for the things we've seen,
all sense of hope and courage drains.

3 We cannot celebrate our faith,
and faith lacks meaning, all is lost;
for nothing is as it once was,
we cannot ever bear the cost.

4 So, God, what should we do or say?
What is there left of love or life?
What mitigating cause or plea
will rid us of this pain of strife?

5 Amid our sense of grief and loss
where nothing now can be the same,
stand in the midst of shattered faith;
rebuild, renew, and raise again.

Andrew E Pratt (born 1948)
© 2001 Stainer & Bell Ltd
Words © 2001 Stainer & Bell Ltd, London, England copyright@stainer.co.uk. Please include any reproduction for local church use on your CCL Licence returns. All wider and any commercial use requires prior application to Stainer & Bell Ltd.

Metre: LM
Tune: PLAISTOW

When justice is impossible – can we sing?

1 When justice is impossible,
beyond our human scope;
 when doubt and darkness celebrate
 and we no longer cope,
 give us, O God, the words to sing,
 and faith to trust the end you bring.

2 From thundercloud, through wind and fire,
 you act to bring release.
 From bonds that we have forged ourselves
you come to bring us peace;
 so give us, God, the words to sing,
 and strength to trust the end you bring.

3 From our distress we call to you,
 but yet we fear your hand,
 for where we fail you will prevail
 but will we live to stand?
 O give us God, the words to sing
 whatever end you need to bring.

4 Our mouths are open with the song,
 we’re singing for our lives,
 bring courage, give us strength, O God,
 while human hope survives.
may alleluias fill that song
 in spite of all our human wrong.

Andrew E. Pratt (born 1948)
© 2006 Stainer & Bell Ltd

Please include any reproduction for local church use on your CCL Licence returns. All wider and any commercial use requires prior permission from Stainer & Bell Ltd.

Tune: AUCH JETZT MACHT GOTT

How long O Lord?

1 How long, O Lord, how long
must carnage blight our age?
How long before all humankind
let love disarm their rage?


2 The streets still run with blood
as dust distils the light;
while buildings clouded by the pall
of smoke are hid from sight.


3 Our children huddle, dead,
the world seems blind to wrong;
when will your people heed your word?
How long, O Lord, how long?

Andrew E. Pratt (born 1948)

© 2006 Stainer and Bell Ltd. London, England copyright@stainer.co.uk . Please include any reproduction for local church use on your CCL Licence returns. All wider and any commercial use requires prior application to Stainer & Bell Ltd
Metre: SM

Tune: TRENTHAM

What can we sing in a distorted world? – Written for ArtServe and originally published in the Methodist Recorder (March 2024)

What can we sing in a distorted world?

Language and music are taut and strained. How can we compress into a phrase a modern pieta, or a father cradling body parts?

What can we sing?

We stand in the rubble of a distorted world where dust never settles, light filters through, flickering, faulted. Shadows lengthen.

Creation is cloaked by human action, or indifference.

And, again, what can we sing?

Perhaps we should be silent?

It has been said that there can be no poetry after Auschwitz. And we turn up on Sunday morning to offer praise and thanksgiving or, expecting a still, small voice,  a gentle stroll beside still waters. Have we forgotten? Perhaps. Or are we too young? Since October the seventh our  slumbering memories have been re-awakened. And what do we sing? At times like these I wonder at the inability of our Christian churches to lament. Its absence in these times should shock.

I turn to two Psalms, one communal; one individual.

Psalm 137

By the rivers of Babylon—

there we sat down and there we wept

when we remembered Zion.

The nearest we get to these words, a reprise of Boney M singing ‘By the rivers of Babylon’. Notice they never use verses 8 and 9:

Happy shall they be who pay you back

what you have done to us!

Happy shall they be who take your little ones

and dash them against the rock!

Like a hybrid car shifting gear they move to something more comfortable: May the words of my lips and the meditation of my heart…’ They want something deemed ‘acceptable’.

Think of the horror of war, images that can’t be broadcast for what they portray.  What would we feel? Might we not want vengeance? This Psalm says that such emotions are legitimate, human. How can we admit this in our churches? We need to know that we are still held by God when we have witnessed acts of deepest hatred and want to hit back, to wreak havoc.

But a warning. The Psalmist grasps this yet it can never be a justification for repeating the horror, simplistically, ‘because the Bible tells us so’. An ‘eye for an eye, a tooth for a tooth’ should be consigned to the past.

Psalm 22

‘My God, my God, why have you forsaken me’.

This is personal, now. The cry we hear from the cross, from the lips of Jesus, words of a Psalm uttered in desperation in the throes of death: words just for Good Friday?  They are strong enough for a hymn writer to pen: ‘the Father turns His face away’. And sometimes it feels like that. Yet God does not turn away, will not leave us in distress. Nevertheless, we may still feel the reality of personal desolation. If the Psalmist felt this emotion, and Jesus expressed it, then it is common to humanity and not to be condemned. It is cry of wretchedness though not a matter of doubt, rather of supreme faith. That is the foundation lament, a certainty of the presence of God with us in spite of all, even in persecution or impending death. We only complain when our expectations are not met – a train is late, food has gone mouldy, a friend lets us down. In faith we have expectations of God, God with us,  always, in every circumstance or situation. Yet sometimes we feel desolate, abandoned, as though God has gone away. And then we too can lament, we can groan from the depths of our being. And at such times we utter the deepest, most sincere prayer we may ever voice, ‘God help me!’ This is no blasphemy, but a heartfelt, visceral cry of need undergirded by a subconscious sense that when all else is absent, there is a name on whom we can call.

So what music, what language, can we borrow, can we use? Perhaps Gorecki’s Third Symphony? Or a hymn like this? – ‘When loneliness oppresses me’ from Hymns of Hope and Healing/Unravelling the Mysteries sung, maybe, to KINGSFOLD?

1	When loneliness oppresses me; 
when darkness fills my soul;
when grief and weeping overwhelm
and none can make me whole;
in angry fear I call to you.
When will you hear my cry?
This heavy burden on my heart
must lift, or else I die.

2 When close companions melt away,
afflictions have no end,
I cry for help to empty air,
darkness my only friend.
O God, why have you left me here?
When will my troubles cease?
If you refuse to hear my prayer,
how will I find release?

Hymn - Marjorie Dobson
© Copyright 2012 Stainer & Bell Ltd, London, www.stainer.co.uk. Used by permission. All rights reserved.

Lament for Palestine and Israel – unknowing babies sleep now

A Lament for Palestine and Israel

Unknowing babies sleep now,
exhausted without food,
while mothers cry in anguish –
this lottery is crude:
when missiles, ‘with precision’,
seek targets, hid, unseen,
as leaders point the finger
so consciences are clean.

Amid this dust and carnage
where human life is cheap,
where body parts are scattered
we turn our heads and weep,
yet this is soon forgotten,
the image fades, has gone,
another channel chosen
we sing a soothing song.

In this we are immersed now,
our pain will soon be lost,
the anguished cries diminished,
we need not bear the cost.
A distant drum is beating,
we’re deaf to hear its sound
a tiny body buried ,
in seared, unhallowed ground.

And mothers still are sobbing
while fathers shed salt tears,
and lives are marked by hours now,
yet mem’ries seethe for years.
How long, O God, can terror
be harboured in a mind?
How long before Your children
are nurtured to be kind?

© Andrew Pratt 14/11/2023
Words © 2023 Stainer & Bell Ltd, London, England copyright@stainer.co.uk . Please include any reproduction for local church use on your CCL Licence returns. All wider and any commercial use requires prior application to Stainer & Bell Ltd.
Tune: NYLAND H&P 478II, REJOICE AND SING 529