Climate change…theology…iPad art… adapted from ArtServe Magazine Issue 33 Summer 2022

I was reflecting on creation and climate change, global warming. Tablet art enabled me to produce fiery images.

This would not be impossible with watercolour but here I was able to swirl colour together. If anything went wrong I had the facility to erase and correct. With watercolour this is more difficult. In the first image I went to Genesis 1 for inspiration the image of the earth ‘without form and void’. Science, cosmology, art and the Bible enabled me to envisage creation as a conflagration, a ‘big bang’, with interrelated matter and energy being brought into being. But then, on reflection, planets condense to spherical, or near spherical, form and so the first image is that swirling orb, formless but seeking an equilibrium and at the centre of the void will be Earth…or…

Without form and void…

As scripture unfolds, epiphanies, revelations of the divine, ‘the Other’, are described. They take many forms. One such narrative again brings together matter and energy in an enigmatic spectacle with no matter being consumed within an evanescent fiery, burning bush. ‘The Other’ has no name, utters no words, yet converts, forms and inspires humanity to action.

Burning bush

The colour palette of the creation image was retained for a burning bush. The flaming fire was ‘painted first’. Different tools allow the colours to merge in a variety of ways. The merge can be smooth, watery, bubbled or perhaps rough edged.  The bush was then lined in over the fire and the ground finished last.

Beyond the life of Christ, through incarnation and resurrection there is further revelation of the nature of God. Pentecost offers that image of fire again, with its contradictory character of energy, warmth and destruction, yet power and inspiration.

Pentcost or…

The fire was, again, painted first. The black, square blocks were formed using a template like a page frame but then filled using a fill tool that you may be familiar with in photo-editing software. The sky was similarly filled in, as it had been in the burning bush image. Subconsciously the colour I had chosen for this was very much reminiscent of some of David Hockney’s choice of pigments.

In the same way that scriptural and human inspiration interact in forming the images, paradoxically for humanity, that same divine presence of fire in creation and revelation offers humanity the capacity for self-destruction as global warming engulfs what might have been the ‘City of God’.

And is this the anticipated end of humanity? ‘Ashes to Ashes’? And is this the end, not just of each of us individually, but of all creation? Humanity’s knowledge, grasping the divine gift obliterates humanity itself while creation collapses back into the void from whence it came…

For the final image I used a copy tool to take the first image. I then used a sandpaper tool to scuff and scrape at the ‘surface’ of the image. I darkened it, mixing and merging colour to suggest, not just our planet, but creation returning to void and chaotic darkness.

Ashes to ashes…

Text and images © Andrew Pratt 2022 adapted from ArtServe Magazine Issue 33 Summer 2022

Hymn responding to Greta Thunberg ahead of and following COP 26 – Blue planet, rising, soaring through the cosmos – Now with a new tune by Frances S. Drake

Blue planet, rising, soaring through the cosmos,
was lent in trust for us to tend and care
while children, young in wisdom, call in anguish, 
for all they see now fills them with despair.
The wonder of the sky has drawn us upwards, 
our eyes diverted by the moon and stars, 
and as we dream we lose our moral compass, 
and in our greed we grasp creation, call it ours.


Time runs away, our life on earth is finite, 
young prophets calling, needing us to act 
are crying out, lamenting for our planet, 
while ‘adults’ sleep, denying fear and fact.
Still others stand, immune, ignore the future, 
absolved from fault for all that comes to pass.
When will we grasp the need for urgent action, 
see clearly, not net curtained, or through frosted glass?


While sands of time run down, are gone and finished, 
in fear of change we hanker for the past, 
but life on earth is threatened by inaction, 
as lethargy and greed resist and last. 
Good God forgive us for each fault and faction, 
unwillingness to change to save this earth. 
God give us ears to hear the words of wisdom 
that we might save this planet, cradle of our birth.


Andrew Pratt 29/10/2021 – Responding to Greta Thunberg 
ahead of and following COP 26.

Words © 2021 Stainer & Bell Ltd, London, England, http://www.stainer.co.uk.
Please include any reproduction for local church use on your CCL Licence returns. All wider and any commercial use requires prior application to Stainer & Bell Ltd.
Metre: 11.10.11.10.11.10.11.12
Tune: BLUE PLANET RISING; LONDONDERRY AIR
BLUE PLANET RISING – AUDIO – Copyright Frances S. Drake

The care of our planet, the threat of extinction – Hymn

The care of our planet, the threat of extinction,
alerts us to need to be stewards of the earth:
this place of great beauty, our God given tenure,
the place of our nurture, the globe of our birth.

This place we must guard for each new generation,
to leave as we found it or, better, restored;
to share each resource without greed or pretension,
not barring the needy, not plunder, nor hoard.

The  banquet of God is for all of God’s people,
communion companions are both rich and poor,
our ultimate end will remove all distinctions,
no birthright or creed can obstruct heaven’s door.

God’s common wealth love can encompass all nations,
but here in this place we must all make a start:
a life of acceptance of sister and brother,
the practice of loving, a God given art.

Andrew Pratt 1/5/2019
Words © 2019 Stainer & Bell Ltd, London, England, http://www.stainer.co.uk.
Please include any reproduction for local church use on your CCL Licence returns. All wider and any commercial use requires prior application to Stainer & Bell Ltd.
Written for the 140th Anniversary of St John’s Methodist Church Whitchurch, Shropshire.
Tunes: STREETS OF LAREDO; ST CATHERINES COURT