A hymn for Transfiguration – ‘So tired with the heat and the height of their climbing’

So tired with the heat and the height of their climbing, 
now resting where eagles might shelter their young,
disciples had followed, but Jesus now left them,
to wander yet higher, compelled he went on.

And now in a light that transfigured their vision,
the one they called Master was standing alone,
and yet it appeared that some others stood with him,
in whiteness, in brightness, the clouds like a throne.

The dazzle was blinding for those who were watching,
but then it seemed Jesus was heading back down,
the vision had faded, the moment was passing,
Messiah they’d called him who shunned any crown;

until on a hilltop, mid rubbish and slander,
this ‘king’ was hung out in the sun, set to dry;
crossed out between those others deemed rough and worthless,
the poor and discarded for whom he would die.

To those who had hung him, he offered forgiveness,
a crucified robber was paradise bound;
the poor he exalted, the widow, the stranger,
found love in this preacher who turns lives around.

Andrew E Pratt
Words © 2018 Stainer & Bell Ltd, London, England copyright@stainer.co.uk . Please include any reproduction for local church use on your CCL Licence returns. All wider and any commercial use requires prior application to Stainer & Bell Ltd
Metre: 12 11 12 11
Tune: STREETS OF LAREDO

We cannot privatise God’s grace – hymn – inspired by Luke 6:27-38

We cannot privatise God's grace inspired by Luke 6:27-38 

1 We cannot privatise God's grace
and in our hearts we know it.
The love of God is ours, it's free,
we know that we must show it.

2 The neighbour that becomes a friend
becomes a gift God's given,
the barrier that's broken down,
a clearer path to heaven.

3 So, take my hand and let us dance
the freedom steps from prison,
a choreography of love
where joy is no illusion.

Andrew E Pratt (born 1948)
Words © 2002, 2006, Stainer & Bell Ltd, London, England copyright@stainer.co.uk . Please include any reproduction for local church use on your CCL Licence returns. All wider and any commercial use requires prior application to Stainer & Bell Ltd.
Metre: 8 7 8 7
Tunes: DOMINUS REGIT ME; ST COLUMBA (Irish – 8787)

Not pushing for favours – hymn

Not pushing for favours – a hymn reflecting on Luke 6: 20 – 22

Not pushing for favours, nor craving acceptance,
but waiting in line for our moment to come,
and then love exalts us, affirms and promotes us,
yes this is gospel the, the source and the sum.

God raises the humble, the poor and afflicted,
the ones that society longs to despise.
God's values are different from those we might cherish.
God sees the down-trodden and wills them to rise.

And this is our calling, to set the example,
the gospel imperative lived out through grace,
to turn the world over till those who are hungry
can feast at the banquet prepared in this place.

The table is open, all people are welcome,
the children are dancing, the frail have found care.
The world and it's bounty is here for all people,
with no one excluded, where all learn to share.

Andrew E Pratt (born 1948)
Words © 2013 Stainer & Bell Ltd, London, England copyright@stainer.co.uk . Please include any reproduction for local church use on your CCL Licence returns. All wider and any commercial use requires prior application to Stainer & Bell Ltd
Metre: 12 11 12 11
Tune: WAS LEBET WAS SCHWEBET

As published in The Seed now https://www.theworshipcloud.com/







HYMNS – HOLY WEEK TO EASTER BY MARJORIE DOBSON

HOLY WEEK TO EASTER - All these are from UNRAVELLING THE MYSTERIES, along with poems and other readings. 

HOLY WEEK – Thursday to Friday

Afraid and alone and worn out with his praying

Afraid and alone and worn out with his praying,
his friends sleeping soundly and all unaware
that out in the darkness arrest was approaching,
and Jesus was frightened and full of despair.

Accused and alone and awaiting the judgement,
surrounded by enemies out for the kill,
with none to defend him and friends who'd betrayed him;
yet Jesus stood resolute, silent and still.

Abandoned, alone and in agony dying,
the torture and pain brought a cry of despair.
For then, as the crisis of death was approaching
for Jesus, it felt as if God wasn't there.

Now dead and alone, they would bury his body,
those friends who found courage to deal with his death.
A stone sealed the tomb and with soldiers to guard it,
his enemies thought they'd seen Jesus' last breath.

Alone in a garden, a woman was weeping.
In spite of precautions, the body was gone.
But then through her tears, she could hear her name spoken
and Jesus is living. The story goes on!

Marjorie Dobson (born 1940)
Words © 2019 © Stainer & Bell Ltd, London, England copyright@stainer.co.uk . Please include any reproduction for local church use on your CCL Licence returns. All wider and any commercial use requires prior application to Stainer & Bell Ltd.
Metre: 12 11 12 11
Tune: AFRAID AND ALONE 12 11 12 11 (Ian Sharp) or THE ROAD AND THE MILES TO DUNDEE

GOOD FRIDAY

First the cheering, then the jeering

1 First the cheering, then the jeering-
crowds can change their minds at will.
First they hail him, then condemn him;
aim to please, or aim to kill.

2 First the anger, then the whipping,
clearing out the Temple court.
First the traders, then the money-
space for prayer cannot be bought.

3 First the perfume, then the poison-
money should not go to waste.
First anointing, then annoyance-
do not judge her deed in haste.

4 First the trusting, then betrayal-
Judas seeking cash in hand.
First he loved him, then provoked him,
daring him to take a stand.

5 First the kneeling, then the serving,
showing deep humility.
First bread breaking, then wine sharing-
'Do this as you think of me.'

6 First the garden, then the praying-
sweating blood, then traitor's kiss.
First the trial, then denial-
Peter, has it come to this?

7 First the nails and then the hammer
piercing flesh and splitting bone.
First the sighing, then the dying-
Jesus on the cross, alone.

8 First the grieving, then the praying,
agonizing through your death.
First we share your desolation-
while you wait to take new breath.

Marjorie Dobson (born 1940)
© 2005 Stainer & Bell Ltd, London, England copyright@stainer.co.uk . Please include any reproduction for local church use on your CCL Licence returns. All wider and any commercial use requires prior application to Stainer & Bell Ltd.
Metre: 8 7 8 7
Tune: STUTTGART 8 7 8 7

EASTER SUNDAY

No soldiers and no body - (particularly suitable for Mark's gospel account.)

1 No soldiers and no body,
an empty linen shroud
and women with a story
they dare not tell aloud.
So, put away the spices
intended for the dead
and wait with fear, as they did,
to see some way ahead.

2 And did the story end there,
the last words torn away?
No final resolution?
What happened on that day?
What changed the gloom to glory?
What cancelled out their loss?
How could there be a victory
beyond that bloody cross?

3 Before the day had ended
the rumours ran around
that Jesus was still living,
no body could be found.
Authorities denied it,
said that the guards had fled,
but they feared most the story
'He's risen from the dead.'

Based on the break in the writing of Mark 16, where the fragment of writing has been torn away
Marjorie Dobson (born 1940)
© 2008 Stainer & Bell Ltd, London, England copyright@stainer.co.uk . Please include any reproduction for local church use on your CCL Licence returns. All wider and any commercial use requires prior application to Stainer & Bell Ltd.
Metre: 7 6 7 6 D
Tune: SALLEY GARDENS 7 6 7 6D


Come in the morning

Come in the morning.
Come see the dawning.
Come to the garden -
life has broken through.
1 Jesus, dead and buried.
To his grave they hurried.
Anxious women found that
life had broken through.
Chorus

2 Soldiers could not keep him
for they were found sleeping
and the tomb was open -
life had broken through.
Chorus

3 Peter, unbelieving,
left, still full of grieving.
Nothing would convince him
life had broken through.
Chorus

4 Mary, greatly shaken,
thought he had been taken.
Heard his voice that told her
life had broken through.
Chorus

5 Where there was despairing,
grief and horror sharing,
now there is a rumour
life has broken through.
Chorus

6 So God's word is spoken,
when our hearts are broken
there will come a time when
new life will break through.
Chorus

Marjorie Dobson (born 1940)
© 2008 Stainer & Bell Ltd, London, England copyright@stainer.co.uk . Please include any reproduction for local church use on your CCL Licence returns. All wider and any commercial use requires prior application to Stainer & Bell Ltd.
Metre: 6 6 6 5 and Chorus 5 5 5 5
Tune: DANCE TO THI DADDY 6 6 6 5 and refrain



The rubble and the language – words for our time, for Gaza

The rubble and the language – words for our time, for Gaza

The rubble and the language,
discarded, damaged lives,
are things that evil scatters;
no hope of love survives
when narcissistic grasping
eradicates all grace,
if protest sinks in silence
love leaves our human race.

Bereft of all compassion,
with empathy stripped bare,
humanity extinguished,
while people suffer there;
this world is desecrated
can we not find a way
to heal and mend relations
to counter this decay.

With hatred running rampant,
while sinking in despair,
is there no other option
to clear this rancid air,
to open doors to trusting,
to take the risk to dare
to find a new beginning,
through action, kindness, prayer.

Alternative last 4 lines:

From warring words and venom
could we at last relent,
or still continue headlong
to hell to which we’re bent?

Andrew E Pratt (born 1948)
Words © 2025 Stainer & Bell Ltd, London, England copyright@stainer.co.uk . Please include any reproduction for local church use on your CCL Licence returns. All wider and any commercial use requires prior application to Stainer & Bell Ltd.

Notes
This is probably best used as a reading. No tune is offered, though, being metrical it could be sung – as a protest song (or a hymn?).