Here we're watching from the side-lines – a hymn for Palm Sunday
1 Here we're watching from the sidelines,
yet we bring ourselves to bear
on the picture, on the action:
now it feels as though we're there.
Deep within the crowd we're cheering,
yet our doubt is all too near.
Is it safe to follow Jesus?
Then this doubt is fuel to fear.
2 Now the crowds shout out hosanna!
Feeling one, we join their call.
Carried by the celebration,
know that we could give our all.
Doubt has been repressed, and hidden,
for a time our fear is small.
Yet, if we could only know it,
Christ is heading for a fall.
3 On beyond this acclamation,
crowds would find a reason why
they could change these glad hosannas
to a raucous, angry cry.
And are we as faulted, fickle,
just as likely to deny
all the things we once held firmly,
call for God to hang and die?
4 We are human, if we're honest
we will own that we can fail,
change and spin our understanding,
recognise that we are frail.
God we need your gracious loving,
deep forgiveness to assail
things that hurt and leave us broken.
God enable and prevail.
Andrew Pratt (born 1948)
© 2011 Stainer and Bell Ltd., London, England, www.stainer.co.uk. Please include any reproduction for local church use on your CCL Licence returns. All wider and any commercial use requires prior application to Stainer & Bell Ltd
Metre: 8 7 8 7 D
Tune: CONVERSE
Created by HymnQuest.com
Here terror stripped our Lord of hope – a hymn of the Passion
1 Here terror stripped our Lord of hope,
the sweat of blood, the fear of death,
the shadow of that fearful cross,
that dries the throat, that quickens breath.
2 Alone and desolate he waits
and prays that God might take away
the cup that signals human dread,
while friends have slept, or left the fray.
3 And, strange enigma, this is God
and here God shares mortality,
within the garden, on the cross,
at one with our humanity.
4 And now our deepest fear and loss,
condensed to pain of mind and heart,
are met within God's human frame,
within God's science and God's art.
5 And in our lost humanity
when hope is drained and faith has gone,
when desolation dwells within,
God holds our hurt and love goes on.
Andrew Pratt (born 1948)
© 2015 Stainer and Bell Ltd., London, England, www.stainer.co.uk. Please include any reproduction for local church use on your CCL Licence returns. All wider and any commercial use requires prior application to Stainer & Bell Ltd.
Metre: 8 8 8 8
Tune: FULDA
Created by HymnQuest.com
Tag: Hymns
Notes on Hymn Copyright
Notes on Copyright
Why copyright hymns?
There is an argument which says that if you write hymns for the church they should be freely available. In principle I have no problem with that at all. But…
All of my hymns are in copyright. So why?
- The main reason for copyright is to prevent others altering what you write? Say you have a hymn of praise to Jesus. How would you feel if it was altered to praise to Satan? – with your name attached…
- Alteration can be major or minor. At the very least you can ask people not to alter your text without permission, or publish, or use your writing, or music, in contexts of which you would not approve, or want to be associated with.
- You may, over time, alter your words and not want previous versions to be used. Again, you have control.
Levels of copyright
- Your copyright can say ‘may be used freely’ or ‘used freely with permission’.
- It can say ‘may be used freely in particular contexts’ – eg., church – but that wider or commercial use requires permission.
- A few authors rely on royalties for their living. Copyright and fees become intrinsic. Even then items may be free in certain settings. All of my texts are copyright but I certainly don’t make a living from writing. Many of my texts have been used by, or commissioned by, charities. You can choose whether particular use is allowed or requires a charge.
- Even when a charge is taken you can decide whether a royalty is then donated by you to charity.
- Today many hymns that are in copyright are licenced for church or education use through Christin Copyright Licencing (CCL) or other licensing bodies.
Types of copyright
- Personal copyright. You set the wording. You administer anything to do with he copyright. You retain all benefits in the copyright. On your death benefits would usually revert to your Executor, or whomsoever you designate in your will.
- Copyright held by another. In this instance, with a reputable company, you will be consulted on use of the item that diverges from anything you have agreed with the administrator/owner. You will have a legal contract defining your rights and expectations together with those of the owner.
The benefits here may seem minimal, but can sometimes be substantial. I have a large number of hymns. My copyright holder deals with requests for use, changes of wording (in consultation with me), legal questions (rare, but could include allegations of accidental plagiarism for example), receiving royalites when texts, or music, are used and paying royalties to me, less an agreed proportion which is theirs. The copyright holder is responsible for safe retention of my material. In addition my copyright holder has promoted and published my hymns in ways that I never could have done on my own. On my death my hymns remain available and secure.
© Andrew Pratt 26/11/2024
‘Drones, not angels herald horror’ – a hymn for Remembrance in a new millennium through Advent to Christmas
‘Drones, not angels herald horror’ a hymn for 2024
from Remembrance through Advent to Christmas
Drones, not angels herald horror,
children shelter without hope,
singing now, but hell will follow.
God, through grace, give strength to cope.
Here where human hearts are broken,
all cried out, no tears to shed,
prayers are held, for fear, unspoken,
shrouded now in clouds of dread.
God reach deep through hateful anger
bent on vengeance, recompense;
listen through our warring clangour,
re-enliven common sense.
Guide us through the dust and rubble,
where our blood has stained the earth,
turning fields where all is stubble,
seeding love that signs new birth.
Andrew E Pratt (4/11/2024)
Words © 2024 Stainer & Bell Ltd, London, England copyright@stainer.co.uk . Please include any reproduction for local church use on your CCL Licence returns. All wider and any commercial use requires prior application to Stainer & Bell Ltd
Metre: 8.7.8.7
Tune: HYFRYDOL; SCARLET RIBBONS or, perhaps, BLAENWERN
A completely new hymn for 2024 reminding us how different war is now but, nevertheless, with comparable suffering. Suitable, perhaps, for Remembrance and through Advent to Christmas given the continuing situation in the Middle East, Ukraine/Russia and many other places.
Pratt Green Trust Hymn Writings Competition Winners
Ralph Vaughan Williams – I anticipate an interesting lecture…
Marking the 150th Anniversary of the Birth of Ralph Vaughan Williams on 12th October 1872 at Down Amney, Gloucestershire, our Hymn Society member, John Crothers, will be delivering a Lecture, as part of the Islington Proms, on Monday, 12th September at St James’ Church, Prebend Street, Islington, London N1 starting at 7.30 pm.
The Lecture is entitled:
Ralph Vaughan Williams: An unlikely visionary
(What drove Vaughan Williams, a ‘cheerful agnostic’, to spend three years editing The English Hymnal?)
Tickets cost £5.00 and may be booked online or purchased at the door on the evening of the event.
As an optional extra, preceding the Lecture at 4.30 pm (for which admission is FREE), is a screening of O Thou Transcendent: The Life of Ralph Vaughan Williams, Tony Palmer’s full-length film biography of the composer.
hymnsandbooks 