Not pushing for favours – a hymn reflecting on Luke 6: 20 – 22
Not pushing for favours, nor craving acceptance,
but waiting in line for our moment to come,
and then love exalts us, affirms and promotes us,
yes this is gospel the, the source and the sum.
God raises the humble, the poor and afflicted,
the ones that society longs to despise.
God's values are different from those we might cherish.
God sees the down-trodden and wills them to rise.
And this is our calling, to set the example,
the gospel imperative lived out through grace,
to turn the world over till those who are hungry
can feast at the banquet prepared in this place.
The table is open, all people are welcome,
the children are dancing, the frail have found care.
The world and it's bounty is here for all people,
with no one excluded, where all learn to share.
Andrew E Pratt (born 1948)
Words © 2013 Stainer & Bell Ltd, London, England copyright@stainer.co.uk . Please include any reproduction for local church use on your CCL Licence returns. All wider and any commercial use requires prior application to Stainer & Bell Ltd
Metre: 12 11 12 11
Tune: WAS LEBET WAS SCHWEBET
As published in The Seed now https://www.theworshipcloud.com/
Category: Poems
HYMNS – HOLY WEEK TO EASTER BY MARJORIE DOBSON
HOLY WEEK TO EASTER - All these are from UNRAVELLING THE MYSTERIES, along with poems and other readings.
HOLY WEEK – Thursday to Friday
Afraid and alone and worn out with his praying
Afraid and alone and worn out with his praying,
his friends sleeping soundly and all unaware
that out in the darkness arrest was approaching,
and Jesus was frightened and full of despair.
Accused and alone and awaiting the judgement,
surrounded by enemies out for the kill,
with none to defend him and friends who'd betrayed him;
yet Jesus stood resolute, silent and still.
Abandoned, alone and in agony dying,
the torture and pain brought a cry of despair.
For then, as the crisis of death was approaching
for Jesus, it felt as if God wasn't there.
Now dead and alone, they would bury his body,
those friends who found courage to deal with his death.
A stone sealed the tomb and with soldiers to guard it,
his enemies thought they'd seen Jesus' last breath.
Alone in a garden, a woman was weeping.
In spite of precautions, the body was gone.
But then through her tears, she could hear her name spoken
and Jesus is living. The story goes on!
Marjorie Dobson (born 1940)
Words © 2019 © Stainer & Bell Ltd, London, England copyright@stainer.co.uk . Please include any reproduction for local church use on your CCL Licence returns. All wider and any commercial use requires prior application to Stainer & Bell Ltd.
Metre: 12 11 12 11
Tune: AFRAID AND ALONE 12 11 12 11 (Ian Sharp) or THE ROAD AND THE MILES TO DUNDEE
GOOD FRIDAY
First the cheering, then the jeering
1 First the cheering, then the jeering-
crowds can change their minds at will.
First they hail him, then condemn him;
aim to please, or aim to kill.
2 First the anger, then the whipping,
clearing out the Temple court.
First the traders, then the money-
space for prayer cannot be bought.
3 First the perfume, then the poison-
money should not go to waste.
First anointing, then annoyance-
do not judge her deed in haste.
4 First the trusting, then betrayal-
Judas seeking cash in hand.
First he loved him, then provoked him,
daring him to take a stand.
5 First the kneeling, then the serving,
showing deep humility.
First bread breaking, then wine sharing-
'Do this as you think of me.'
6 First the garden, then the praying-
sweating blood, then traitor's kiss.
First the trial, then denial-
Peter, has it come to this?
7 First the nails and then the hammer
piercing flesh and splitting bone.
First the sighing, then the dying-
Jesus on the cross, alone.
8 First the grieving, then the praying,
agonizing through your death.
First we share your desolation-
while you wait to take new breath.
Marjorie Dobson (born 1940)
© 2005 Stainer & Bell Ltd, London, England copyright@stainer.co.uk . Please include any reproduction for local church use on your CCL Licence returns. All wider and any commercial use requires prior application to Stainer & Bell Ltd.
Metre: 8 7 8 7
Tune: STUTTGART 8 7 8 7
EASTER SUNDAY
No soldiers and no body - (particularly suitable for Mark's gospel account.)
1 No soldiers and no body,
an empty linen shroud
and women with a story
they dare not tell aloud.
So, put away the spices
intended for the dead
and wait with fear, as they did,
to see some way ahead.
2 And did the story end there,
the last words torn away?
No final resolution?
What happened on that day?
What changed the gloom to glory?
What cancelled out their loss?
How could there be a victory
beyond that bloody cross?
3 Before the day had ended
the rumours ran around
that Jesus was still living,
no body could be found.
Authorities denied it,
said that the guards had fled,
but they feared most the story
'He's risen from the dead.'
Based on the break in the writing of Mark 16, where the fragment of writing has been torn away
Marjorie Dobson (born 1940)
© 2008 Stainer & Bell Ltd, London, England copyright@stainer.co.uk . Please include any reproduction for local church use on your CCL Licence returns. All wider and any commercial use requires prior application to Stainer & Bell Ltd.
Metre: 7 6 7 6 D
Tune: SALLEY GARDENS 7 6 7 6D
Come in the morning
Come in the morning.
Come see the dawning.
Come to the garden -
life has broken through.
1 Jesus, dead and buried.
To his grave they hurried.
Anxious women found that
life had broken through.
Chorus
2 Soldiers could not keep him
for they were found sleeping
and the tomb was open -
life had broken through.
Chorus
3 Peter, unbelieving,
left, still full of grieving.
Nothing would convince him
life had broken through.
Chorus
4 Mary, greatly shaken,
thought he had been taken.
Heard his voice that told her
life had broken through.
Chorus
5 Where there was despairing,
grief and horror sharing,
now there is a rumour
life has broken through.
Chorus
6 So God's word is spoken,
when our hearts are broken
there will come a time when
new life will break through.
Chorus
Marjorie Dobson (born 1940)
© 2008 Stainer & Bell Ltd, London, England copyright@stainer.co.uk . Please include any reproduction for local church use on your CCL Licence returns. All wider and any commercial use requires prior application to Stainer & Bell Ltd.
Metre: 6 6 6 5 and Chorus 5 5 5 5
Tune: DANCE TO THI DADDY 6 6 6 5 and refrain
The rubble and the language – words for our time, for Gaza
The rubble and the language – words for our time, for Gaza
The rubble and the language,
discarded, damaged lives,
are things that evil scatters;
no hope of love survives
when narcissistic grasping
eradicates all grace,
if protest sinks in silence
love leaves our human race.
Bereft of all compassion,
with empathy stripped bare,
humanity extinguished,
while people suffer there;
this world is desecrated
can we not find a way
to heal and mend relations
to counter this decay.
With hatred running rampant,
while sinking in despair,
is there no other option
to clear this rancid air,
to open doors to trusting,
to take the risk to dare
to find a new beginning,
through action, kindness, prayer.
Alternative last 4 lines:
From warring words and venom
could we at last relent,
or still continue headlong
to hell to which we’re bent?
Andrew E Pratt (born 1948)
Words © 2025 Stainer & Bell Ltd, London, England copyright@stainer.co.uk . Please include any reproduction for local church use on your CCL Licence returns. All wider and any commercial use requires prior application to Stainer & Bell Ltd.
Notes
This is probably best used as a reading. No tune is offered, though, being metrical it could be sung – as a protest song (or a hymn?).
Another hymn for Maundy Thursday from Marjorie Dobson
Another hymn for Maundy Thursday from Marjorie Dobson (see also 'A towel and a basin')
1 At the table of communion
Jesus spoke with heavy heart
of the pain of separation,
soon to tear them all apart.
Listening without understanding,
too absorbed with food and wine,
carefree friends could read no meaning
in his simple words and sign.
2 Bread was broken, as his body:
wine, a symbol of his blood.
Yet his call to keep that memory
was not clearly understood.
Judas left, but no one noticed,
thought his business was his own.
Jesus, looking round the table,
knew himself to be alone.
3 As they sang their psalm that evening,
then went out into the night
innocent of apprehension,
unprepared for fear or flight,
how their hopes and dreams were shattered,
confidence was turned to dread
and as chaos ruled around them,
one by one they turned and fled.
4 As they witnessed pain and horror-
trial, cross and guarded tomb-
they remembered Jesus' warning
given in that upper room.
Struggling hard to find the meaning,
in symbolic word and sign.
they would find that same communion
we still share in bread and wine.
Marjorie Dobson (born 1940)
Words © 2019 © Stainer & Bell Ltd, London, England copyright@stainer.co.uk . Please include any reproduction for local church use on your CCL Licence returns. All wider and any commercial use requires prior application to Stainer & Bell Ltd.
Metre: 8 7 8 7 8 7 8 7
Tunes: DIM OND IESU; LEWIS FOLK MELODY
From UNRAVELLING THE MYSTERIES, along with poems and other readings.
Candlemass Hymn
Candlemass – the Presentation of Jesus in the Temple (Singing the Faith 229)
1 Mary and Joseph
Came to the temple
Brought the boy Jesus,
Offered him there.
People were waiting
Wanting to greet him,
Long had they sought him,
Solace for care.
2 Anna had prayed there,
Widowed, long waiting;
Worshipping God by
Day and by night.
Now she is praising,
Filled with elation;
Here is God’s promise,
Christ is her light.
3 Simeon sings now
God proffers blessing,
Brilliantly gilding
Dawn of his day;
Light in the darkness,
Never extinguished,
Light of all nations,
Light up our way.
Andrew E Pratt (born 1948)
Words © 1997 Stainer & Bell Ltd, London, England copyright@stainer.co.uk . Please include any reproduction for local church use on your CCL Licence returns. All wider and any commercial use requires prior application to Stainer & Bell Ltd.
Metre: 5 5 5 4 D
Tune: BUNESSAN