
Resurrection – copyright AndrewPratt 2024

Resurrection – copyright AndrewPratt 2024
Reflection
This event is almost inconceivable for me. You see, I do not believe in a vindictive God who sacrifices his Son. I do trust, through faith, in the incarnation – God being human. Hands that flung stars into space to cruel nails surrendered. A baby in a manger, ‘the Word made flesh’. But if this is our starting point then it is God who hung on a cross on that first ‘good Friday’. I cannot cope with some vast plan of salvation that requires this carnage. What I can understand is a God of love, from whose love we can never be separated (Romans 8, 38)
So where does that leave us? For me Jesus embodies God’s love in totality. Ultimate, complete and utter love has to be totally selfless and this is what I see in Jesus. It is the sort of love that challenges all hypocrisy, injustice and indignity to which we are exposed and which we still experience. But there is a problem here. The moment we start to love those whom others do not, or cannot, love we become a threat to them. We either have to acknowledge that love and ally ourselves with it, ignore it, or oppose it. We are inherently selfish. Humanly we seek our own preservation. That is a biological imperative. So when Jesus challenged the powers, those around him by challenging their economy – the overturning of the tables of the money-changers, the emphasis on the importance of the widow’s tiny monetary gift, pausing to heal a woman, deemed unclean, who pressed on him in the crowd, when he had been called to heal the daughter of a leader of the synagogue – in all these ways it felt as if he was a threat to the culture and religion, the very economy of the people. This threat was to their very being. And how they behaved was no different from how we, in similar situations, behave. They behaved, literally, naturally.
And Jesus response was the only possible response of complete and utter, unconditional, all-inclusive love: that is forgiveness – ‘forgive them for they (literally) know not what they do’!
And the cross becomes wondrous, not as some great theological bargain, or the culmination of a cosmic plan of sacrifice, but in the revelation of the nature of total love that we are called to emulate.
And the world is shrouded in darkness, inevitably for in darkness we cannot see, if God is dead this really is the end. And this is why theologians, then and now, you and I, seek to explain away this horror. Yet Jurgen Moltmann, some years ago in a book which still deserves to be read, The Crucified God, sees the cross to be the test of all that deserves to be called Christian, rather than the resurrection, for here we see God’s utter love and willingness to be vulnerable, as we are vulnerable, even unto death in order to be one with us. And the scandal and uniqueness is that gods are not meant to die, wondrous God, wondrous love indeed!

In simple, suffering love
a man looks down, on all the world
as empathetic tears drench cheeks that child-like,
once had filled with laughter.
The shadows lengthen,
heighten the beam’s intersection,
as muscles, taut with strain crack, as a whip,
and feel the course of pain.
Finished? Is it finished?
But still the thunder grumbles
and lightning slashes dark and cloud.
A drift of rain disperses yet a diminishing crowd.
© Andrew Pratt 2024

Later that night – copyright Andrew Pratt 2024
Here on the crest of the wave of creation
Here on the crest of the wave of creation,
roaring and rolling beyond time and place;
God is transforming through quiet resurrection,
challenging hopelessness, offering grace.
Now we will follow the steps that will lead us
on through the horrors and hatred of life,
on through the angst ridden pain of bereavement,
on through the cross to the ending of strife.
Here at faith's edge where our peace is beginning,
God soaring free through our chaos and pain,
here is the meaning of loving and living,
here is the place of our rising again.
Andrew Pratt (born 1948)
Words © 2008 Stainer & Bell Ltd, London, England copyright@stainer.co.uk .
Please include any reproduction for local church use on your CCL
Licence returns. All wider and any commercial use requires prior
application to Stainer & Bell Ltd
Metre: 11 10 11 10
Tune: EPIPHANY HYMN

Watercolour and Luminar © Andrew Pratt